A documentation and celebration of 13 years of the Horror-on-Sea film festival in Southend-on-Sea, Essex, U.K.

Documentary series in two parts: 1. A people without a voice (80'), 2. A land in mourning (78'). Part 1: A people without a voice: October 88, the Algerian Republic is faltering, the film goes back to the sources of this tragedy and explains how the face to face between the Islamists and those in power began. The interruption of the legislative elections of December 91, followed shortly after the assassination of President Boudiaf in June 92, plunged Algeria into chaos. Part 2: A land in mourning: the cycle of violence that leads to massacres and the economic and geopolitical underside of the war. More than 100,000 deaths, an incredible degree of barbarity, massacres, apparently incomprehensible... Behind the official window of power and its artificial political scene, hides a shadow power.

Feature re-edit of the documentary series. Christopher Lee, takes us on a frightening journey from the earliest horror movies to modern day slashers!

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

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Three communities at the foot of the Charlevoix cliffs, Petite-Rivière, île-aux-Coudres and Les Éboulements, practise the myriad trades of the sea. Its men are sailors, stevedores, longshoremen for the coasting trade. In winter, they becomes caulkers, carpenters and timer-cutters who will build a new vessel if required, or repair, caulk and paint the over 150 wooden schooners that ply the St. Lawrence River.

The humdrum contentment and daily routine of a married mussel farmer are thrown into chaos by the arrival of a mysterious stranger in novellist and filmmaker Helen Walsh’s beautiful, erotic love story set on the Welsh coast. With its elegant visual style, powerful performances and disarmingly frank script, this is queer cinema at its most candid, sensual and raw.

A documentary sharing the story of five women captured and enslaved by the Japanese military as "comfort women" during World War II.

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Mark Ayres presents a look at the making of Paradise Towers.